JAEYEOL HAN
"Through my previous solo exhibitions I have tried to capture the existential energy released when a complete stranger turns into an object of my interest. This is also a question of object identification.
Crowds of people flowing like a body of water; in crowd, individuals’ energies are negated and their existences dissolved. I cannot remember how many people I have passed by, way away from remembering who they are. I was surrounded by others, but my attention grew stronger into myself.
Through this experience, I came to think that locality and culture are no longer distinguishable, and the face of the crowd a medium that contains the landscape of locality and culture of that age. Emotion, long-suppressed by the oppressive value system of logic, built up without any outlet, emotion is expressed in faces. I was first interested in the structural qualities of the human face, but later realized that this interest arose from a primitive force exerted within faces. Thus I searched for a way to express my findings."
“Passersby, The boy without the glasses," Oil on Canvas, 190x130cm, 2013“Passersby, Graze” Oil bar on Linen, 34x22.1cm, 2013
His focus is mostly on portraits with an aesthetic language that is implicitly dark and subtly surreal with an approach to his subjects that is often subjective and intense. His style is very much inspired by the nebulous and unclear images of the mind and dreams, finding in this his true base.
"Think I'll Dream"
"2.1"
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